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December 2006's Nightmare Before Christmas featured some brilliant artists. I got to see three of my all-time favourites -
Gang of Four, Sonic Youth and Deerhoof, all of whom were fantastic. I also experienced Thruston Moore's Bark Haze and The Melvins for the first time, and they're both bands I'm very glad to have seen.
Yet there was something strange about this ATP. The mood was different. And I think we all know what it was: the queueing. Right from the start, on the first night when we didn't get in to see The Melvins, we knew something was up. And though I did get to see all my favourites, something of the ATP spirit - the ability to wander in a happy daze between acts - was gone. When you have to queue for sometimes up to an hour in advance, you're not going to take risks, something that for me had always been a big part of the ATP experience. Sure, the smaller artists on the smaller stages continued as usual.
I bear no grudges with the organisers as I'm sure they didn't envisage causing such levels of discontent. But it seems to me that the only answer is to invite fewer people - the problem with the festival was that the capacity of the venues was too low in proportion to the number of ticket holders. But then do all the challets have to be filled in order to book the whole Butlins campus?
I do hope they can sort it all out before the next ATP.
One out, one in: The Nightmare Before Christmas 2006
2006年 12月 13日 08:18

December 2006's Nightmare Before Christmas featured some brilliant artists. I got to see three of my all-time favourites -
Gang of Four, Sonic Youth and Deerhoof, all of whom were fantastic. I also experienced Thruston Moore's Bark Haze and The Melvins for the first time, and they're both bands I'm very glad to have seen.
Yet there was something strange about this ATP. The mood was different. And I think we all know what it was: the queueing. Right from the start, on the first night when we didn't get in to see The Melvins, we knew something was up. And though I did get to see all my favourites, something of the ATP spirit - the ability to wander in a happy daze between acts - was gone. When you have to queue for sometimes up to an hour in advance, you're not going to take risks, something that for me had always been a big part of the ATP experience. Sure, the smaller artists on the smaller stages continued as usual.
I bear no grudges with the organisers as I'm sure they didn't envisage causing such levels of discontent. But it seems to me that the only answer is to invite fewer people - the problem with the festival was that the capacity of the venues was too low in proportion to the number of ticket holders. But then do all the challets have to be filled in order to book the whole Butlins campus?
I do hope they can sort it all out before the next ATP.

