Wynton Marsalis

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1980年代シーンに登場したトランペッター。拡散するジャズの指向を本道に立ち戻らせ、黒人同胞に再び誇りをもたらした彼の出現は衝撃的だった。1961年ニューオリンズ生まれ。ピアニストの父 Ellis Marsalis 、兄の Branford Marsalis (sax) 、弟の Delfeayo Marsalis (tb) 、 Jason Marsalis という音楽一家に育ち、ジュリアード音楽院を卒業すると10代で The Jazz Messengers に迎えられる。ジャズとクラシックの両ジャンルに渡り、1984年、1985年は連続して2部門でグラミー賞を制覇。当初は超絶技巧を誇示する演奏でシーンを賑わせたが、理知的に構成したアドリヴやユニットの魅力を探り始める。ユニットは大編成化し、ウイントンのグループ・コンセプトは壮大なものとなる。

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  • Melpomene_24 書き込み:
    先月
    C'est Magnifique

    Melpomene_24 に一言コメントを残す

  • bonzoWhale 書き込み:
    12月 2011
    How is Marsalis not innovative? Granted, he goes back to basics, but he takes the classics beyond that. Just look at the Vitoria Suite, what a way to merge two cultures musically! Not to mention what they did live in those concerts, drawing from several North and South American cultures to do something quite unique... That's definitely some serious innovation.

    bonzoWhale に一言コメントを残す

  • SoulJazzsterInc 書き込み:
    11月 2011
    Glad to hear someone who agrees :) I agree that he's being criticized for not being very innovative, that's a respectable point. But who are those people (like Keith Jarrett, for instance) who can honestly tell this man plays with no soul at all? I strongly disagree with that.

    SoulJazzsterInc に一言コメントを残す

  • RonZol 書き込み:
    11月 2011
    Excellent!

    RonZol に一言コメントを残す

  • spincat 書き込み:
    10月 2011
    It's interesting what SoulJazzsterInc has said that there are the innovators and the classicists who defend the tradition. He strongly defends the innovation and ironically it is what makes him a traditional guy simply because he defends an OLDER/original innovation (of Jazz) while rejecting a lot of newer ones. Also, I agree about his smug character. It's like he's the guy you don't want to argue with because it'll ruin your weekend completely. P.S. Great musician, nevertheless and love listening to him (play).

    spincat に一言コメントを残す

  • kaly_ 書き込み:
    10月 2011
    Happy Birthday, dear Wynton !!! <3

    kaly_ に一言コメントを残す

  • rhinowing 書き込み:
    10月 2011
    guy seems like he'd be a republican with this straight eighths thing

    rhinowing に一言コメントを残す

  • Marcelo_Santh 書き込み:
    9月 2011
    ░░░░█░░░░░█████░██████░░█████░██░░░█░█████░░░░░ ░░░░█░░░░░█░░░░░█░░░░░░░█░░░░░█░█░░█░█░░░░█░░░░ ░░░░█░░░░░█████░█░░███░░█████░█░░█░█░█░░░░█░░░░ ░░░░█░░░░░█░░░░░█░░░░█░░█░░░░░█░░░██░█░░░░█░░░░ ░░░░█████░█████░██████░░█████░█░░░░█░█████░░░░░

    Marcelo_Santh に一言コメントを残す

  • ChinaBuffet 書き込み:
    7月 2011
    wynton marsalis is a bitch.

    ChinaBuffet に一言コメントを残す

  • NuttersaurusRex 書き込み:
    6月 2011
    "Couldn't Metallica be jazz? No. Metallica is rock. it is straight eighths." So is the main riff of The Four Horsemen jazz then? It's got a swing feel. What about latin jazz, and bossa nova? It's impossible to set an exact definition for any genre because there's always exceptions, you just know what it is when you hear it. Besides, genres are really just ways of describing certain sounds and musical movements, not something one should aspire to fit inside the confines of. The guy's a hell of a player and has done a lot for jazz but he is also really strict in what constitutes jazz, and that really limits one's creativity. Establishing borders isn't what causes music to progress.

    NuttersaurusRex に一言コメントを残す

  • THXmille138 書き込み:
    6月 2011
    the uncle tom of jazz..

    THXmille138 に一言コメントを残す

  • De-La-Lune 書き込み:
    5月 2011
    Wynton's music is the definition of classy in musical form.

    De-La-Lune に一言コメントを残す

  • ShiningStar911 書き込み:
    5月 2011
    I know this guy

    ShiningStar911 に一言コメントを残す

  • esotericexcuse 書き込み:
    3月 2011
    Street Date interviewed Wynton Marsalis on his new release with Willie Nelson, "Here We Go Again: Celebrating the Genius of Ray Charles" Check it out ! http://streetdate.radio.com/2011/03/29/street-date-interviews-wynton-marsalis-for-his-release-with-willie-nelson-norah-jones-a-tribute-to-ray-charles/

    esotericexcuse に一言コメントを残す

  • healmusic 書き込み:
    1月 2011
    i have his Cd's, my father's bought it a long time ago, and i feel so lucky that my father's bought the Cd's,. great work Mr!

    healmusic に一言コメントを残す

  • MAMMAAIUTO 書き込み:
    1月 2011
    I'm a swedish girl, 22 years old, and I assure you that when Mr. Marsalis comes to sweden he will get pussy , swedish pussy. And that is rare, where not hoes, just almost.

    MAMMAAIUTO に一言コメントを残す

  • jazzaficiando 書き込み:
    11月 2010
    Well, as Mr. Marsalis stands, he doesn't believe that straight eighths are jazz. He defines swing as being jazz, and you know, I agree with him there. When it switched to straight eighths, it changed. So listening to all the modern music, what do we define as jazz? Couldn't Metallica be jazz? No. Metallica is rock. it is straight eighths. Just because a sax and a trumpet play in a rap chart doesn't mean it's jazz. Just because someone improvises in a chart, don't mean its swing. I listen to a Latin chart with Latin solos and it is a Latin chart. I listen to Birdland and I hear a funk chart with funk solos. I listen to Ornithology and I hear a jazz chart with jazz solos. Without proper definition, jazz becomes an umbrella for every style of music, and when I go to Myspace to find jazz artists, all I find are funk artists. Wynton is an incredible musician. He wants to preserve jazz. He never says those other styles are wrong, he just separates them and plays great music

    jazzaficiando に一言コメントを残す

  • fleadilla 書き込み:
    9月 2010
    i don't care if he played with jesus let alone blakey. miles knew the score from the moment he laid eyes on him. this guy had a hand in trying to remove a portion of jazz history with ken burns, whether deliberate or not. the documentary is a big deal. how many highschool students in band class see any number of these series every year? electric jazz was a major phenomenon in the evolution of jazz, let alone for all music! it changed everything. especially rock music. spend all that time goin nuts about the big 3 for like a billion hours and don't give electric but like a weak 30 minute segment? unacceptable with what a big responsibility and opportunity they had with pbs. so much history and art will remain hidden beyond the light of those who they wanted to shine the brightest, but weren't the end all to jazz. not by a longshot. many who should've got their props didn't and it's a shame that they could've - but won't. they could've easily did 3 hours focused on electric. easily...

    fleadilla に一言コメントを残す

  • SoulJazzsterInc 書き込み:
    7月 2010
    Wynton is a classicist, so what?? He is not the first, nor the last. In music, there are always people in the innovation and people who want to keep the tradition alive and it's perfect like that. That said, I agree with zackbrown that the character may be irritating, even though the musician is great

    SoulJazzsterInc に一言コメントを残す

  • zackbrown 書き込み:
    6月 2010
    To be fair, I haven't heard a lick of his music, but I'm watching Ken Burns Jazz documentary and every time he shows up with a smug, know-it-all comment I wanna bash this guy's face in.

    zackbrown に一言コメントを残す

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