Merzbow

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秋田 昌美(あきた まさみ、1956年 - )は、日本のノイズミュージシャン。東京都生まれ。玉川大学文学部芸術学科卒業。1979年からMerzbow(メルツバウ)名義で音楽活動を続けている。灰野敬二とともに、日本のノイズ・ミュージック・シーンの草分けといえる存在である。きわめて多作であり、ライブや他ミュージシャンとの競演も旺盛に行っている。

2000年には、オーストラリアのノイズ・レーベルよりCD50枚組が発売されるなど、その暴力的なノイズサウンドは欧米でも高く評価され、常に注目を集めている。

肉を一切食べず、革製品も身につけないヴィーガンとしても知られている。酒やタバコを摂取しない厳格なストレートエッジでもある。また愛鳥家でもあり、自宅で多くの鳥を飼い、作品名にも『バリケン』とつける一方、作品のインサートにケンタッキー・フライドチキンを批判する内容のチラシを入れるといった面もある。

出典
wikipedia
http://ja.wikipedia.org/wiki/%E7%A7%8B%E7%94%B0%E6%98%8C%E7%BE%8E

一言コメント: 一言コメント9,727 件

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コメントを残す Last.fm にログインする今すぐ登録(無料)。
  • ZDOGG 書き込み:
    4 時間前
    Fuckin rusters love this shit.

    ZDOGG に一言コメントを残す

  • Massive_Anus 書き込み:
    土曜日 夜
    just discovered dust of dreams. so great.

    Massive_Anus に一言コメントを残す

  • PiecesOfQuiet 書き込み:
    金曜日 午後
    Also, in reference to AKS, there are noise projects who intentionally rush. Incapacitants, as an example of a more "famous" project, try and keep their stuff free of human intention.

    PiecesOfQuiet に一言コメントを残す

  • PiecesOfQuiet 書き込み:
    金曜日 午後
    @tenebrific: While I see what you're getting at, its not significantly different from any other genre in terms of separating what you like and what you don't. Take last.fm, you find one group you like and follow the similar artists, or see what people are shouting about. You can go to the many noise forums and pick up on word of mouth, talking to people who are knowledgeable being the best approach in my opinion. Also, if you like a lot of releases by a particular label you can just keep collecting their stuff. With download blogs everywhere its pretty easy to sample almost anything. You just have to be willing to do the grunt work.

    PiecesOfQuiet に一言コメントを残す

  • AppleKabukiSuri 書き込み:
    金曜日 午前
    If you are concerned with what is good or bad, hot or not, hep or square, then you shouldn't be listenin' to noise ya dig?

    AppleKabukiSuri に一言コメントを残す

  • AppleKabukiSuri 書き込み:
    金曜日 午前
    When I'm at a noise gig if Sean Baxter says "brooooooootal" at the end of someone's set, I know that I just heard some good noise.

    AppleKabukiSuri に一言コメントを残す

  • AppleKabukiSuri 書き込み:
    金曜日 午前
    In order to figure out if noise is good or not I place my speakers on the ground and place a piece of glass over the top of them. Then I start the song and pour salt, or any other similar item I've got lying around, onto the glass. Once the song is over I look at the pattern the salt has formed and I do a painting based on this pattern. Then when go to my psychiatrist I have them access the quality of my work and appropriate their reviews of my paintings to the quality of the noise track it was inspired by.

    AppleKabukiSuri に一言コメントを残す

  • ColonelTheSlav 書き込み:
    金曜日 午前
    @Tenebrific: I find them through splits and compilations. So far that's the best method for me to find out more noise that I like. How is expertly crafted noise supposed to sound anyway? Wouldn't that sound like music haha?

    ColonelTheSlav に一言コメントを残す

  • AppleKabukiSuri 書き込み:
    金曜日 午前
    Merzbow's initial lack of polish is different to that of a regular band because there isn't a clear intent. You can't listen to an early Merzbow track and think, well the playing is a bit messy in that part and the levels aren't all that good.

    AppleKabukiSuri に一言コメントを残す

  • AppleKabukiSuri 書き込み:
    金曜日 午前
    In music, imperfections are noise. In noise imperfections, are noise.

    AppleKabukiSuri に一言コメントを残す

  • AppleKabukiSuri 書き込み:
    金曜日 午前
    Why finely crafted is better than rushed? Something thrown together with scant regard for quality is the product of chance, whereas something finely crafted is weighed down by human intention.

    AppleKabukiSuri に一言コメントを残す

  • Tenebrific 書き込み:
    金曜日 午前
    I have a serious question for people here actually. If you're willing to take it seriously. There are tens of thousands of noise bands located throughout lastfm and the internet in general. A good portion of them are garbage and not really worth listening to. So my question is this, with all the immense varieties in noise (power electronics, death industrial, harsh noise, to name a few), how do you manage to filter the finely crafted, painstakingly beautiful album from the ones that guy made who literally took 5 minutes to make his entire album? Plays/listeners isn't always an accurate indication.

    Tenebrific に一言コメントを残す

  • Tenebrific 書き込み:
    金曜日 午前
    That statement could really be used to describe any band that has lasted and continued producing music for a significant period of time though. All musicians start out unpolished, then gradually refine their product over the years. Its not necessarily a bad thing, but I think a lot of people prefer the rough imperfections of an artist first beginning their craft. Its not something you can usually expect from a more experienced artist though. Once they know what they're doing, those imperfections are often the first thing to disappear.

    Tenebrific に一言コメントを残す

  • AppleKabukiSuri 書き込み:
    金曜日 午前
    A lot of his early stuff wasn't great, but it was interesting; it was awkward, unpolished and dada. You can hear someone figuring out noise when you listen to his earlier work. The concept and the ideas behind the noise are much more apparent because you can hear the faults and hear the experimentation that is taking place.

    AppleKabukiSuri に一言コメントを残す

  • PiecesOfQuiet 書き込み:
    金曜日 午前
    Eh I see what you're saying but he's produced some terrible laptop albums. Not to say his analogue stuff was always great either, but Merzbeat or Merzbuddha or any of the Merz stuff really didn't do it for me.

    PiecesOfQuiet に一言コメントを残す

  • auroranoise 書き込み:
    金曜日 午前
    I hate it when people shoot down Merzbow's work now because he switched to using laptops. I think it's still just as interesting, although I do miss the walls of noise. Pulse Demon, Venereology, Amlux and Merzbeat will always be favorites.

    auroranoise に一言コメントを残す

  • NINlife 書き込み:
    金曜日 午前
    skins? merzbow on glee kicks ass a lot more girl

    NINlife に一言コメントを残す

  • Tenebrific 書き込み:
    木曜日 夜
    The Merzbow tribute album was pretty good. Learned of some more interesting noise musicians.

    Tenebrific に一言コメントを残す

  • LauncelotGobbo 書き込み:
    木曜日 午前
    Green Wheels as well.

    LauncelotGobbo に一言コメントを残す

  • diver000 書き込み:
    木曜日 午前
    i think you like "1930" and "Pulse Demon"

    diver000 に一言コメントを残す

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